Doug Mays & The Sticky Kids - Raining in My Heart / Part Time Lover. 1981 USA-Mississippi

From Biloxi. About as bad as you would expect. A) side is straight up early 80s dummy hard rock. B) side is worse with a bluesy angle that makes you want to forget the decade altogether. 

2.5 / 2.0

1/23/24

Wilderness II - Strange Kind of Woman / In Medley. 1972 USA-Oklahoma

From Tulsa. Both tracks are badly produced Deep Purple covers. B) side is 'Lazy' with some extending jamming. 

2.5 / 2.5

1/23/24

The Innkeepers II - Brother Love's Traveling Salvation Show / Cryin's Not My Style. USA-Pennsyvlania

Complete unknown here. If I owned this it would go straight into my Unknown Vinyl Records blog. Label is from northeast Pennsylvania. A) side is a cover of Neil Diamond. Though advertised as psych, this is gather 'round the campfire singalong-and-clap music. Other side isn't that much better, but has a better chord progression and no handclaps. 

I didn't get the label image and it isn't showing anywhere at the moment, including popsike.

2 / 2

1/23/24

The Cardboard Box - Come on Baby / Carol. 1969 USA-Pennsylvania

From Pottstown. A side starts off with a bit of distortion and moves into uptempo garage territory, with an almost funky beat. Good fuzz solo near the two minute mark. 'Carol' is a sleepy ballad. A side has been comped, so it's become sought after. 

1/23/24

August - All the Time in the World / Old Lady. USA-Boston

Pop / Bubblegum psych with light hard rock touches. Has some decent distorted soloing. Mostly unknown. Label is from Boston, so likely a New England based group. 

1/23/24

Soul Patrol - Don't Knock the Cop / Peter Pan. 1971 USA-Fort Worth

Soul Patrol's sole 45 is a four figure expensive rarity. Musically it's right in the JB's / James Brown strike zone. Tight horns, rhythm guitar, sax, funky bass/drums, lots of "huh's" and "owws". 'Peter Pan' is instrumental and is in a similar musical vein.

1/2/24

Yellow Hair – Somewhere / Talent For Lovin'. 1969 USA-Missouri

A) side is like a psychedelic America (the band). Has their folk rock style but the harmony is more Beach Boys oriented. I'm a sucker for "la la la la's". They were from St. Joseph. Not a sound I'd associate with the region. On the B side their Midwest upbringing comes out. More aggressive with fuzz, fast drumming, and a rural rock underpinning.

1/2/24

Unsettled Society – 17 Diamond Studded Cadillacs / Passion Seeds. 1969 USA-New York

A side is a heavy wah wah psych classic that's been comped quite a bit. Neither track made any of the ones I own, so this is my first exposure. In hearing the drum patterns and guitar effects, one has to presume Iron Butterfly's poster was up in their collective bedrooms. Proto Krautrock really. B side goes for the witchy mystic midnight hour sound. They can't sing, but that's part of the allure honestly. Looks like they were from Syracuse.

1/2/24

Inner Lite – Hold On To Him / Tabula Rasa. 1969 USA-Iowa

Here's an oddball release from Des Moines, Iowa of all places. The label name certainly would have been considered risqué in its era. A) side is a pleasant organ driven pop psych, not that far from what Bacharach was writing, minus the talented musicians of course. B side ups the rock ante from the off, with a fine guitar solo early on and he never gives back the song from there. 

1/2/24

Something Different – Zulu Man / Chemical Reaction. 1970 USA

Starts off with harpsichord and goes into a folk rock direction from there. Also I hear what sounds like a bouzouki, perhaps the reason why they named the group as they did. B side starts off with a more aggressive beat before the harpsichord joins in. We also get some organ jamming and a percussion solo. For 1970 it really is something different. No idea where these guys might be from. 

3 / 3

1/2/24

The Outcasts - While I'm Here / Spell. 1968 USA-Virginia

Lots of groups named The Outcasts back in those days. This one was from Virginia. I have the B side on the Aliens Psychos & Wild Things Volume Fore comp. Good driving hard psych track with some really cool jams on one of those old cranky organs. So how is the A side? There's that organ blaring again - this time in 1960s soap opera fashion. Here we get a soul styled ballad. Yep - like I said in the Paraphernalia review: "Usually when only one side is featured on the comps, the other is to be avoided."

12/13/19 (first listen); 12/31/23 (review / new entry)

Paraphernalia - Watch Out / Never. 1970 USA-Boston

I have the A) side on the Overdose of Heavy Psych comp. Good riffing hard rock with organ maybe like Sir Lord Baltimore, so it's slightly ahead of its time. Listening to the flip for the first time. Usually when only one side is featured on the comps, the other is to be avoided. But that's not the case here. This sounds more like its era, and is a wonderful dreamy psych piece. There's a slight Latin Soul Rock vibe I'm getting (think early Malo), which is entirely coincidental I'm sure (especially since they were from Medford, Massachusetts). Great two sider.

2/2/19 (first listen); 12/31/23 (review / new entry)

Summit - The Darkness / Thank You Mister Jones. 1969 USA-Missouri

Looks like Dr. Boom brought this one over to the house back in 2019. He probably also provided the song to the Brown Acid guys (he knows them). My review from then stated: "'The Darkness' is a killer slice of heavy psych / early heavy metal... To settle the origin of the band, Brown Acid states they are from Clinton, Missouri, which is about 90 minutes SE of Kansas City." We didn't listen to the B-side, but no loss, as it's a fairly straightforward folk rocker.

12/24/19 (first listen / review); 12/31/23 (update / new entry)

The Sun Lightning Incorporated - Quasar 45 / There Must Be Light. 1969 USA-Indiana

The A side starts off like a proto Krautrock tripaganza. Once it settles in, Quasar 45 is a cool little guitar driven instrumental. I like it. The B side is a fairly typical rock song for the era with guitar, piano, organ, and vocals. It sounds like a cover song made from various singles. Very interesting SP coming from a small town in northern Indiana.

12/31/23

Brother Love - Rock n' Roll Band / Bluebird. 1972 USA-Ohio

The A) side rips the main theme from the Stones but has a cool fuzz tone. As you might imagine, much of it is bar n' roll music. With an added mandolin solo(?). The B) side is 70s soft pop, good for the Andy Williams Show. Brother Love managed to get out six singles and one LP in their lifetime. All obscure.

12/31/23

Grupo Miel - Get Down Tonight / Sombras de Colores. 1976 Chile

The first track is a cover of KC & The Sunshine Band. That's... interesting. Some cool Moog work though. The B side is intriguing. Starts off as a ballad and then goes into a prog direction with some fine guitar. Then back to more poppy material. Amazing a band like this could exist in Chile during Pinochet's reign. They don't appear to be political, so that probably helped. They were post Sacros.

3.0 / 3.5

12/30/23

The Free - Decision For Lost Soul Blue / What Makes You. 1968 USA-Detroit

Detroit based group, many consider the A side one of the high water marks of psychedelic, given its massive fuzz break about half way through. As a tune, it's pretty good, with a consistent tribal top beat. The other side is more friendly, with a hippie singalong style and some finger pickin' guitar. Given the major label exposure (was later issued on ATCO), this is one of those 45s you actually have a chance of finding in the wilds.

5/6/20 (first listen); 12/17/23 (review / new entry)

Sounds Synonymous - Tensions / Babylon. 1969 USA-Michigan

From Flint, Michigan. Both sides of this very rare 45 have been comp'd quite a bit, and I have the B side since it's on the For a Few Fuzz Guitars More release. Both are very heavy for their era, and it doesn't seem too many of these bands were able to get to the LP stage. Though a whole album of music like this could prove to be exhausting - like early Blue Cheer in that way.

11/30/19 (first listen); 12/17/23 (review / new entry)

Zendik - Is There No Peace / Aesop. 1970 USA-Chicago

Zendik are a band from Chicago that has found themselves on a couple of those Brown Acid series albums (met those guys in Austin BTW as they were interested in some of JL's stuff). The A side is fairly strong hard rock, with lots of screaming vocals, and hyperactive drumming. There's some psych leftover here too. B side is more melodic. Ultimately both tracks fall into the sought after "bonehead" category. Though I'd submit that tag sells most of these pieces short in terms of thoughtfulness. I like that they state "Recorded in America". 

12/17/23

Park Avenue Playground - I Know / The Trip. 1969 USA-Chicago

From the Chicago suburb of Lansing. Despite being on a "major minor", this 45 is extinct. The B side is considered one of the pinnacles of American psych, and it's easy to understand why. Loaded with fuzz, organ, and trippy vocals, it defines what the psychedelic era means in the States. Fortunately I have this track courtesy of the Beyond the Calico Wall CD compilation. 'I Know' is like a rawer Strawberry Alarm Clock, so I'm down with this side too. 

5/15/18 (first listen); 12/17/23 (review / new entry)