Ning - Machine / More Ning. 1971 England

Someone must've thought Ning was going to be the next big thing. It does rhyme, have to give them that foresight. Discogs shows no less than ten pressings around Europe, US, and Turkey. 

The a) side is fairly heavy in sound though musically it's pretty simplistic with somewhat annoying vocals. Cowbell opens the b) side ('Morning' yuk yuk) which leads to a laid back, almost Allman Brothers like instrumental jammer. Features a nice mid song riff and good soloing. Organ also plays a major role. I like this 45, though I didn't hear any commercial potential myself.

Pic sleeve shown is the German version. I haven't run into this title yet, but since there are three domestic pressings (no pic sleeve for the US versions), I'll probably find it (and keep it).

1/4/26 (new entry)

Catch - In The Garden / Brand New Day. 1974 USA ~ Chicago, Illinois

Another title that has a lot of misdirection on the ole WWW. Unknown soul funk gem is the screaming headline. Not really. The a) side is an excellent proggy hard rock track with loads of organ and guitar. The flip is a bit more poppy until they slide back into some more prog jam goodness. Plenty of early Santana references. This is a very good title, though I would think funk folks wouldn't be overly impressed. This is more in my strike zone.

4.0

12/10/25 (new entry)

Preserving the following from band member Jeff Beckler in case it gets wiped away some day: "I was in this band, we recorded it at Universal studios in Chicago. We were all from the Chicago area. It was 1974, the music was done in one take, and the vocals were added in one take. There were six people in the band. Lead guitar Rich Knoble, key boards Robert Blum, drums Mike Kariosha, Bass Tony Zerkawitz and 2 percussion and lead singers Chuck and Jeff Beckler along with the lead guitarist Rich Knoble. This group formed after originally being called The Looking Glass.When the New York looking Glass came out with The hit song Brandy , the group broke up and reformed its style into more progressive funk style of music. 2 years later we broke up and all went separate ways."

The Smoke Ring - Heavy Metal Whale / Triangle. 1972 USA ~ Nebraska

The Smoke Ring were a Nebraska 60s pop act. Their final 45 (of many) looks more promising than it is. However, there seems to be some misdirection about it as well. Discogs has a note that the a) side is Reggae. Nope. It sounds like War with the addition of steel drums. The b) side is labeled as Pop. RYM does similar. Nope. To me it sounds like a typical North American early 70s hard(er) rock track with harmony vocals and a lot of Hammond organ. Not bad at all.

12/10/25 (new entry)

Earth Opera - Colorado / Kick'en Back. 1976 USA ~ Colorado

Hard to imagine two bands with the name Earth Opera, but here it is. And the other group was relatively well known from the 60s, so it's a rather strange choice. Perhaps they thought they could get away with it buried way out in the desolate ranch lands of eastern Colorado. I mean, seriously, Otis is in the middle of nowhere. I live in the state and I've never even heard of it.

They actually squeaked out an album as well, and both of these tracks are on it. The reviews that I read about the album are pretty harsh, but I didn't find these two tracks so bad. Both fit into the mid 70s hard rock zone, with a little bit of dude posturing. There are no extended solos to help the lack of songwriting. Perhaps the 45 length makes it more tolerable?

It's from Colorado, so I'll keep it.

3.0 / 3.5

Own.

9/4/25 (new entry)

T.M.L. - Should Have Done Better / Can’t Take It No More. USA ~ Chicago, Illinois

A) side is a moderately paced driving song with a scratchy sound and a nice fuzz break. Chorus is overlong. B) side is more moody. Organ is a distinguishing feature. Seems the latter track is going to break out into a proggy bit but always holds back. Sort of like Procol Harum I suppose.

3.0 / 3.0

4/20/25 (review)

Amber Band - Keep It Burning / I'm So Confused. 1980 USA ~ San Diego, California

A) side has a hard driving riff though the song is 70s classic rock in construct. I liked the B) side better which contains soft flute and more than a nod to fellow Californians Ambrosia. Nice piece of yacht rock.

3/3.5

4/11/25 

Orchid - Go Big Red / Act Naturally. 1973 USA ~ Wisconsin

Orchid were high school kids from Edgerton, Wisconsin between Madison and Janesville. 'Go Big Red' has become noteworthy due to its appearance on one of the many Bonehead comps out there. To me 'Go Big Red' means the University of Nebraska, but it turns out to be both a high school anthem as well as a tribute to the University of Wisconsin's hockey team. What makes the track great are the freaky guitar solos, though the song is lacking. The B) side is more of a country rocker. 

3/2/25

Cherry People – Sea And Me / Come on Over. 1971 USA ~ Washington, D.C.

At one point I had Cherry People's first single from 1968 and my notes there stated: "Saccharine pop for the psych era. Safe for the whole family. "As seen in Better Homes and Gardens" one can predict. 'Imagination' has some trippy effects, so not too bad on the whole. But this is miles away from the best groups of the genre such as The Free Design. Not keeping."

'Sea and Me' is an interesting shift of sound from this DC based band. Here they are peddling early 70s styled North American hard rock. Nice guitar work though the tune lacks any kind of memorable melodies. Still it would be interesting to hear a whole album of music like this.

3/2/25

Young Presidents - Mac-10 Morning / Not In Love. 1987 USA ~ Monterey, California

Average anthem hard rock with a slight metal tone. The wildcard here is the use of harmonica, not an instrument we typically here in music such as this. One presumes they used a lot of hairspray, but the vintage photos show them looking more like Huey Lewis and the News. Some older clips show saxophone as well, so it appears they really weren't metal at all. Band is still active as I enter this post.

2/5 / 2.5

3/2/25

Energy - Nowhere to Hide / Fight For Your Freedom. 1983 England

Though labeled as part of the NWOBHM scene, you'll be looking for the data on supporting the metal claim. More like a punky hard rock, though the B) side does feature some thoughtful instrumental work.

Found this for a buck at a local vintage shop. Tempting to keep this because I'm a fan of the movement. But this one is just too blase for me. It does not appear that the album listed ever came out.

2/2/25

Hatterfox – Lonely Tonight / Holdin' On. 1981 USA-Alabama

From Hunstville, Hatterfox played a mix of hard rock and AOR. This 45 is their debut, a year before their sole LP. Neither of these tracks made it to the album.  After hearing this 45, I'd submit the album is probably worth giving a listen. Despite the origin of the group, Hatterfox are not Southern rock in the slightest. They have their eye on the national charts, and the music plays to that. They have some talent, but neither song has a memorable hook. The vocalist isn't very dynamic. Decent dual guitar work. Overall it sounds more like something from a few years earlier, but now with synth pop in the limelight, bands like Hatterfox needed to slick it up a bit. And it's nowhere near heavy enough to be an underground hard rock classic. Yea it's just too 70s for the 80s I'm afraid.

3/3

1/9/25 (first listen / review)

Rapscallion - Rain And Shine / Just A Rapscallion. 1979 USA-Cleveland

Rapscallion were one of many great AOR / hard rock bands hailing from Cleveland, a mecca for the blue collar muscular sound. The A) side mixes some heavy riffing with acoustic guitars and harmony vocals. It's way too raw to make inroads into the corporate FM sound, but the attempt is admirable. B) side has a Rush meets Styx vibe. Features a killer guitar mid song break. These guys had the right sound at the right time, but didn't catch the break. Pity that.

1/9/25

Tail Gunner – Sassy / Ten Years. 1980 USA-Baltimore

Tail Gunner is a great example of the American hard rock sound from the late 70s going into 1980. A full album (which apparently was planned) would have been a revelation. Neither of these two tracks exceed two and a half minutes, but they do pack a few ideas into each. Which tells me an album would have fallen into the sophisticated hard rock category. 'Ten Years' eerily sounds like the great Micah, especially the way the vocals are handled. Keyboards are a nice touch. The YouTube video confirms these guys have the "look" to go with the chops.

3.5 / 3.5

1/9/25

Bill Stein - Where To Go, What To Do? / Come To Me. USA

Eclectic 45, but has elements of hard rock, psych, AOR, and prog. And how about that label name?

Own. 

I found two copies and we sold one of them. I suspect it may have been released in Colorado. 

9/12/19 (first listen); 3/27/20 (review); 1/1/25 (new entry)

West (West The Band) - Ghost Riders / Turkey Necks. 1980 USA-Wyoming

Best I can tell is that West started out as a hard rock band and evolved into a more typical country rock / pop group. They started in Powell, Wyoming which is way up north toward the Montana border. Eventually they moved to Cody, which is famous for its rodeo scene. And it's closer to Yellowstone / Jackson Hole, where I'm sure there were plenty of gigs to be had as well.

 'Ghost Riders' is indeed the known late 1940's track that was made most famous by The Outlaws in 1980. Interesting then, to find out this was copyrighted and published in 1977. But it may have been recorded in 1980 (probably was). Interesting in that it is also a wicked hard rock version of the song. Is this where The Outlaws got the idea? The 'Turkey Necks' side is more typical country rock/pop and is copyrighted 1980.  According to the back sleeve, these two tracks were recorded in San Diego. San Diego? That's a long way from home and couldn't have been cheap.

Own. Estate sale find (2020).

3/28/20 (first listen / review)

1/1/25 (new entry)

Just say weeeeeeeeeeee.

Racket - It's Our Night / Cruisin' (Down Main Street). 1981 USA-Pittsburgh

An older sounding 45 than the date suggests, while there is synthesizer, there's also Hammond organ and phased guitar. A better than average hard rock, and it looks to be related in some way to Poobah (Peppermint Productions). Good stuff.

Recent evidence places this 45 from 1981 and the band is from Pittsburgh.

Own. Online acquisition (2022).

12/22/22 (first listen / review); 1/1/25 (new entry)

The Whim of Arrow - 1800LBS of Grey / The Day Noah's Ark Sank. 1966-67 USA

A very bizarre 45. The first side is a mix of novelty folk and hard rock. There's a pretty heavy guitar lick about half way through. It's not psychedelic fuzz either. Like 70s hard rock. 45cat has confirmed the date of this song to be 1966, so way ahead of its time. Seems like it was made for children maybe? The second side is an instrumental organ driven number like Booker T and the MG's (confirmed to be from 1967). Absolutely one of the weirdest 45s I've heard. They were "Rollem" them that's for sure! A certain keeper.

No idea where they're from.

Own. Found at the Austin Record Show (2023).

5/25/23 (first listen / review); 1/1/25 (new entry)

Ground Attack - Red Lion / Every Mother's Son. 1981 England

Though associated with the NWOBHM movement. Ground Attack sound more like a standard issue early 80s hard rock band. Not very heavy or original, the two tunes here blow by without much notice. A little AC/DC can be heard on the B side. 

11/25/24

Lynx – Just A Friend / Woman Of My Dreams. 1970 USA-Texas

Just the fact that these guys are from Andrews, Texas is already a revelation for this Texas Tech graduate. How a hard rock band like this existed in the oil fields and ranches of 1970 is something amazing in of itself. Solid hard rock from the Grand Funk / Rare Earth school. This was their debut, but they managed to get out six 45s, which is incredible. They even covered early Yes on one of those. I'd keep that one if I ever find it...

7/21/20 (first listen); 9/15/24 (review / new entry)

Lance-Horizon - Rage / I Don't Like It. 1979 USA-North Carolina

From Chapel Hill. This 45 was released initially with the artist name as Lance, and later copies appended Horizon. A) side has a hard edged AOR bent to it. Love the guitar tone here. One can hear the Hendrix ghost of 'All Around the Watchtower' for sure, not a common sound for 1979. Though I suppose Frank Marino can be spotted here too. B) side is more radio friendly, though the guitar soloing is still excellent. Vocals kinda blow in that indie rock monotone way. 

4.0 / 3.0

8/2/24