Easy – We All Are One / Amy. 1974 USA ~ Nashville, Tennessee

Not sure how this ended up on one of my lists, but this is largely soft rock. Maybe a stretch to call it Yacht Rock, though it's before that movement was getting wheels (not that it was called that back then, but there was a vibe that existed). Band name is accurate for certain. Not terrible for what it is, but not psych or prog in the slightest, which is the column I had it in.

2.5

Sky - Living Machine / The Quest Of The Silver Sea. 1977 USA

Sky is a tough moniker to search in this day and age. And not much data is forthcoming about this particular Sky. It's been suggested the year to be 1977, though I wouldn't be surprised to know it's from the early 80s. There's a bit of that NWOBHM influence though it's not heavy enough to call metal. The music is hard rock, with some Hawkwind influence. Which is likely the inspiration for the fantasy titled B side, and perhaps even the A side really. It's also the stronger of the two tracks here. The music isn't very catchy but it does have that period charm.

3.5

Kasino - Get Bent / Gun Slinger. 1978 USA ~ Harrisburg, Pennyslvania

Kasino has this sort of retro Grand Funk Railroad sound going on here. More 1974 than 1978. The rhythms and disposition are more like straightforward funk rock but the guitarist turns on the fuzz as if it's the late 60s. What a great tone. You wish for the guitarist to really let loose for an extended jam but he never quite does. Nonetheless this is a solid two sider.

4.0

Freeway – Out On The Road (...And Out Of Our Minds) / Streamline. 1980 USA ~ New York

Freeway puts a lot more meat on the bone than your usual hard rock band at this stage. This is late era hard rock right at the cusp of the metal movement, but not quite crossing that threshold. Two well-penned tunes with plenty of guitar fire and cool breaks. Solid, if not exceptional.

3.5

East West Review – And The Rain Came / More And More. 1969 USA ~ Kansas City, Missouri

East West Review are very much influenced by the ongoing horn rock movement of the late 60s. Blood Sweat & Tears, Chicago, and Chase can all be heard in these grooves. Excellent horn charts, and some pretty wild fuzz, especially on the B side. Good stuff.

3.5

Alexander – I Want You / Just Keep Holding On. 1979 USA ~ Cleveland, Ohio

If you'd ever wondered what it would be like if Michael Jackson fronted a hard rock band (and who wouldn't think of that?), Alexander gives you an opportunity to realize that possibility. That's the a) side. The b) side tones it all down for a rural soft rocker, similar to the Eagles, though the vocals are slightly more masculine here. Since both tracks are credited to a one Eric Alexander, we can presume he's the mover and shaker here. And likely lead vocalist, though I can't be certain the first side wasn't from a female. Didn't get too much out of this two sider.

3.0 / 2.0

4/18/26

The Gale – Gotta Run Away / Make Up My Mind. 1972 USA ~ Birmingham, Alabama

A very interesting two sider here. The a) side starts with an excellent bass and drums groove. The song itself is a laid back organ rocker with excellent harmony vocals. The guitar and organ solos are clearly from the jazz school. The b) maintains the excellent groove though moves over to the soul funk genre, especially considering the addition of female vocals and wah wah rhythm guitar. At first I thought this was the weaker track, but here the guitar solo is based more in the psychedelic tradition. Obscure as they get.

4.0

1/5/26 (new entry)

Hercules & The Black Majic - War (Parts 1 and 2). 1970 USA ~ Des Moines, Iowa

The a) side is a fairly straightforward cover of the Edwin Starr classic. A little more rough and ready. More psych'd out I'd submit. Not really enough to call out on its own though. It's the b) side that captures the attention. While still the same song, it's a completely rearranged, improvised psychedelic funk instrumental with loads of killer fuzz. Good one here.

3.5 / 4.5

1/5/26 (new entry)

Long Richard – Force Myself / Lovin Cup. 1968 USA ~ Sacramento, California

The a) side is a drifty psych blues number with piano, electric guitar, and impassioned vocals. Has a jazzy styled rhythm. Vocals are strong and of the late 60s West Coast style. b) is a Butterfield Blues Band number. Again, bluesy in nature, but the psychedelic guitar playing takes it to the next level. Even some Steppenwolf styled riffing. Good two sider.

3.5

12/30/25 (new entry) 

Starchild - Long Way Home / Ocean. 1978 USA ~ Dallas, Texas

Really nice two sider. The a) side is more commercial in nature, but still based in space rock principles, especially considering the phasing. The vocals are female and bear a strong resemblance to my Proto Prog with Female Vocals list. This is especially apparent on the b) side which is more progressive rock in nature. The overall sound is late 70s or early 80s. Excellent guitar work throughout.

Not finding anything much about it. A comment on YouTube says it was made for a Sci-Fi Movie and Book. It also says Dallas. 

More research ties the Dallas reference together with this book. In the description they talk about an unfinished novel from a 40 year old movie treatment. And this was published in 2018. 40 years before? 1978. That sounds exactly right. I'm going forward with these dates and places.

3.5 / 4.0

12/30/25 (new entry)

Parente Band – Tramp / New Day. 1971 USA ~ Pittsburgh, Pennsylvania

Both sides are high energy instrumental jazz funk tunes. Great grooves on this one. The only soloist is the tenor saxophonist. I like his style, busy, melodic, and never out of control. The horn section is tight, and one could call this big band rock. Oddly, there are two distinct pressings for this 45. I've included the more informative one.

3.5

12/11/25 (new entry)

J.B. Green & Born Again - Rock Me Baby / Time. 1976 USA

A very interesting 45, as the music presented is not really single material. It's mostly a type of instrumental psychedelic jazz, very mellow, with fuzzy lead guitar, though not overly amplified. The a) side has vocals and is based in the blues, but once again it sounds more psych jazz than anything. 

I've read they're from Texas without corroboration. Discogs says the label is from Dallas but that's based on the record being pressed by A&R. I know the record plant from my days in DFW, but that doesn't mean the label or artist is from there. I didn't realize Josey Records owns it now. 

3.5 / 4.0

12/10/25 (new entry)

Catch - In The Garden / Brand New Day. 1974 USA ~ Chicago, Illinois

Another title that has a lot of misdirection on the ole WWW. Unknown soul funk gem is the screaming headline. Not really. The a) side is an excellent proggy hard rock track with loads of organ and guitar. The flip is a bit more poppy until they slide back into some more prog jam goodness. Plenty of early Santana references. This is a very good title, though I would think funk folks wouldn't be overly impressed. This is more in my strike zone.

4.0

12/10/25 (new entry)

Preserving the following from band member Jeff Beckler in case it gets wiped away some day: "I was in this band, we recorded it at Universal studios in Chicago. We were all from the Chicago area. It was 1974, the music was done in one take, and the vocals were added in one take. There were six people in the band. Lead guitar Rich Knoble, key boards Robert Blum, drums Mike Kariosha, Bass Tony Zerkawitz and 2 percussion and lead singers Chuck and Jeff Beckler along with the lead guitarist Rich Knoble. This group formed after originally being called The Looking Glass.When the New York looking Glass came out with The hit song Brandy , the group broke up and reformed its style into more progressive funk style of music. 2 years later we broke up and all went separate ways."

Joe Glover & Chrome City – Sweet C C / Chrome City Funk. 1978 USA ~ Ohio

Now here's a goodie. From Warren, Ohio and best I can tell, this is all they did. There's some ghetto rant on YouTube if you want to learn more about them. Neither track has been comped to date. The a) side is disco with synthesized strings, a smooth groove, nice melodies, and some wicked guitar soloing. B) moves over to funk, also has a strong groove, and it doesn't take long for the guitar to start blasting out a cool solo. I want this.

4.0

12/10/25 (new entry)

Earth Opera - Colorado / Kick'en Back. 1976 USA ~ Colorado

Hard to imagine two bands with the name Earth Opera, but here it is. And the other group was relatively well known from the 60s, so it's a rather strange choice. Perhaps they thought they could get away with it buried way out in the desolate ranch lands of eastern Colorado. I mean, seriously, Otis is in the middle of nowhere. I live in the state and I've never even heard of it.

They actually squeaked out an album as well, and both of these tracks are on it. The reviews that I read about the album are pretty harsh, but I didn't find these two tracks so bad. Both fit into the mid 70s hard rock zone, with a little bit of dude posturing. There are no extended solos to help the lack of songwriting. Perhaps the 45 length makes it more tolerable?

It's from Colorado, so I'll keep it.

3.0 / 3.5

Own.

9/4/25 (new entry)

Holly Near - Back Off / Unity. 1982 USA ~ California

Holly Near appears to be your typical LGBTQ activist Californian that checks every woke box, and will likely be long forgotten in the decades to come. Most of her music is in the predictable folk rock or soft rock realm. But her one legacy may be this 45. Like Dianne Davidson, the music on display goes against her typecast. Essentially it's sellout deep groove disco with some fine guitar and African drums on the B) side. A nice curio that I think I'll hold onto for a bit.

3.5

Own.

8/9/25 (new entry)

Jeff Bond - Man and His Mountain / Alone. 1971 USA ~ Denver, Colorado

Very interesting two sider here. The a) side is a pleasant piece of sunshine pop with piano and horns. Bond has a soothing voice. Very professional sounding. It's the b) side that I think would have collectors going wild if they only knew about it. Definitely downer folk with flute, tympani, and chimes. Haunting.

There's mixed information out there on who Bond is. 45Cat says his real name is Neal Bond and he plays with the modern southern rock band Braxton Bragg Band from Portland. I'm pretty sure that's not correct.  Discogs had him mislabeled as the more famous author, most notably for the music of Star Trek. I've fixed that.

The label MARK also doesn't show up other than one entry in 45cat by a band called Blackbird. 

Own.

3.0 / 4.0

The Main Attraction - I Got Love For My Baby / What Do I Wish For. 1973 USA ~ Flint, Michigan

This was the crown jewel of our recent trip to Detroit. Dug this one out of a thrift shop for 25 cents! And it's in almost perfect shape. Even better is the sleeve has a handwritten note from someone in the band. Crystal Steele maybe? There is a phone number, but no such luck. Out of service and even an internet search turned up an unrelated name from the past. It was 52 years ago after all.

The music is what I'd call funky soul. The background is definitely funk but the two tunes are soul in nature. Female vocals dominate and there are no significant instrumental breaks. No matter, this one is special to me given the backstory.

Own.

3.5 / 3.5

Matrix - Comin' Home / Slam Dunk. 1982 USA ~ Wisconsin

From Appleton, Matrix had a relatively successful career, obtaining major label releases on both RCA and Warner Bros. I've heard a couple of them, but don't recall the contents and didn't keep either around. On this single, Matrix mixes two entirely different styles. The a) is smooth soul with crooning vocals and horns. The b) is hard funk with tight charts. The bassist really puts in a strong performance here. This would be Matrix's last effort and neither of these are on LP.

Own. Label is more orange than the photo suggests.

2.5 / 3.5

5/19/25

Murl (Merrell Fankhauser) - Sail It Over The Ocean / Calling From a Star. 1979 USA ~ Hawaii

Wasn't sure what to expect here. I know Fankhauser best from his psych days and the band MU. Both tracks could be considered Yacht Rock. The B) side has some cool synth, that leans in towards a David Bowie type sound. I think I'll hold onto this one given that it's scarce but not expensive enough to sell.

Own with pic sleeve.

3 / 3.5

5/19/25