Golgatha - Dies Irae / Children's Game. 1972 Germany

An anomaly for the great experimental Krautrock Ohr label, as Golgatha are primarily a hard rock group, similar to how fellow labelmates Pilz got its start. 'Dies Irae' uses the familiar monkish chant combined with narration and horns. B) is more committed to the horn rock genre, recalling countrymen Round House, Emergency, and For Example. Nice Terry Kath styled guitar as well. A very good representation of the style.

2/14/24

Wilderness II - Strange Kind of Woman / In Medley. 1972 USA-Oklahoma

From Tulsa. Both tracks are badly produced Deep Purple covers. B) side is 'Lazy' with some extending jamming. 

2.5 / 2.5

1/23/24

Brother Love - Rock n' Roll Band / Bluebird. 1972 USA-Ohio

The A) side rips the main theme from the Stones but has a cool fuzz tone. As you might imagine, much of it is bar n' roll music. With an added mandolin solo(?). The B) side is 70s soft pop, good for the Andy Williams Show. Brother Love managed to get out six singles and one LP in their lifetime. All obscure.

12/31/23

Quimm - Indian Woman / Rock God. 1972 USA-Ohio

From Marietta. A) side is a soft MOR-ish ballad. The B) side opens with ominous organ and lightly strummed electric guitar. And then it breaks into a Uriah Heep like heavy rocker with organ, riffing guitar chords, and David Byron like vocals. A killer little track. This is the side that makes it a keeper.

Ownership: SP: 1972 Revelation. Online purchase (2021).

4/19/21 (first listen); 12/11/21 (review / new entry)

Keystones - I See the Face of a Lady / Here's My Heart. 1972 USA-Chicago

This obscure 45 from the Chicago area is mostly spacey pop psych with dreamy vocals. The a) side features harpsichord and organ over a drifty love song. The b) side opens with a fuzz chord that is repeated elsewhere, and has more of an organ presence. Similar song styles on each. Pity the guitarist never ripped off a solo, as the sound is delicious. Overall it sounds more like something from 1968 than '72, which might explain its total disappearance from the landscape.

Ownership: SP: 1972 Herbie. Online acquisition (2020).

5/18/20 (first listen); 3/7/21 (review / new entry)

Dianne Davidson ‎- Sympathy / Delta Dawn. 1972 USA-Tennessee

Apparently both of these tracks are on an album called Backwoods Woman. If I run into it, I will pick it up for the collection. And why would I do that? Well if you look at the genre tags, we have something very unusual going on here. Country (which is to be expected from a young lady hailing from western Tennessee) and Western (haha - noooo) - and FUNK. Bet you didn't see that coming. I was curious why this 45 promo was worth money (pulled it out of a well known record store in Denver for 50 cents - they had no clue). I played 'Delta Dawn' first. Pretty typical country music, and not obscure enough to draw a buying audience. What gives? Put on 'Sympathy'. Oh wow - now I get it! It's not just funk, but it's killer funk. Very much like something you'd here out of Philadelphia or Detroit during this time. And the great guitar solo at the end sealed it for me. I have no idea if she did more music like this, hence I'll pick up her LPs if I find them. And I should have no problem with that really - major label country music leads the league at the thrift shops, well maybe a bit behind Jesus Christo music. Anyway, what a juxtaposition of sounds. Well worth hearing (check it on YouTube).

Ownership: SP: 1972 Janus. Promo as shown above. Found as noted above.

10/16/20 (first listen / review / new entry)

Tinta Blanca - Todo va a Cambiar / Salmo VII / Avándaro / Virginia. 1971-72 Mexico

Well here's something interesting. Ostensibly Mexico's Tinta Blanca belongs to the horn rock genre. All the trademarks are here including the gravelly vocals (in English), electric guitar solos, jamming organ, and of course the horns. But here's the kicker. Those horns aren't Chicago, BS&T styled horns. No, we're talking Mexican brass here. As in Ranchera, cabrón. (what you're hearing at a Mexican restaurant OK?). It's a bit disorienting at first, but I found myself warming up to it. And Salma VII features some wicked extended guitar soloing like Terry Kath. Yea, I think I want more of this.

'Avándaro' (a Woodstock-like festival held in Mexico in 1971 that has quite a history, including Tinta Blanca) is largely a continuation of the previous single, except they're now singing (properly) in Spanish. It's a bit more jazzy, and there's even saxophone, organ, and drum solos this time. But the Mexican brass remains. 'Virginia' finally sees the band slowing things down for an attempt at a ballad, though it's hardly corridos. Still plenty of great instrumental breaks. I find myself fascinated by Tinta Blanca. How about an archival release? Surely there must be some unreleased early 70s recordings hiding somewhere...

2/13/20

Tac Poum Systeme - Asmodaï / Il fait bon / Josica / Emotion. 1971-72 France

Tac Poum Systeme were a band from Paris and one of the leading lights of the era, but disbanded before releasing a full LP. They left behind 2 singles and a lengthy cut on the Groovy Pop Session compilation. I didn't realize until now that Fernand Pena was one of the key members of the band, as I've owned his album with the group Puzzle (1977) for some years. And it's considerably different to the harder rocking Tac Poum Systeme.

After hearing both singles back to back, the winning song by a good margin is 'Asmodaï'. Sounding like Cream, but with a heavier fuzz attack ala Blue Cheer, it's one of those early 70s European hard psychedelic rock classics. The flip side 'Il Fait Bon' is good but rather nondescript when compared to the A side.

As for Tac Poum Systeme's second single, the band is already looking to chart. 'Josica' is clearly pandering to the masses, and is mostly a swing and a miss. It has some rougher edges regarding the guitar work, so there's some redeemable value. 'Emotion' is Tac Poum Systeme imitating the Rolling Stones - again perhaps a bit heavier - but nothing to get too excited about.

And yet another familiar name is brought to the fore. The producer is none other than Claude Perraudin, who I know from his electronic oriented Mutation 24 album.

The best part of this single is the picture sleeve. That would make a great album cover. Perhaps if they do find some extra material from the band to make a full album, that's the cover they should use.

Speaking of that, something tells me this era of Tac Poum Systeme has more recorded material hiding in a vault somewhere. Time to unleash that.

2/6/20