Odd one here as Bulldog were an Australian band that got picked up by an obscure Philadelphia sublabel of Jamie. Sophisticated hard rock for the era, in particular the b) side.
Ownership: SP: 1970 Guyden. Online acquisition (2022).
5/29/22
5/29/22
A) side is a solid brass rocker with tight horn charts and rocking rhythm. B) side is a bit more introspective with piano, trumpet, and trombone. Nice one for the genre.
Ownership: SP: 1971 Freeform. Sold to me online at a higher grade than it was, so that was disappointing (2021).
4.0 / 3.5
11/2/21 (first listen); 1/27/22 (review / new entry)
Looks like we ended up with the exact same copy as the original poster once had on Discogs! Ours has the signatures in the same place. It's too exact to be a coincidence.
5/3/21 (first listen); 12/11/21 (review / new entry)
Ownership: SP: 1968 Dot. White label promo which apparently is more common than the commercial version. In either case, it's quite the expensive rarity. Another RT collection surprise, and this one was fortunately wrapped in plastic and in perfect condition.
9/18/21
9/18/21
Pretty hard to argue with that really. And at 10 minutes and change, you get your money's worth for a 45. I can say at this point, this is the best progressive rock 45 in my collection. It was The AC who discovered it (as was often the case), and his full notes are far more comprehensive. He wrote: "Bay Area (Los Gatos) prog band who's only release was sadly this obscure EP. Usually, I wouldn't submit an EP quite this short (around 11 minutes total) for inclusion here, as it would be tough to reissue without additional archival material, but in this case we already know that such material does indeed exist. And what wonderful news that is, as I can say without risking hyperbole that this release is amongst the strongest ever recorded by a progressive rock band in the United States. The usual ultra-complex Yes/Gentle Giant-isms of the US underground prog scene are here in full force, but the real difference is that this is more guitar-driven (no keyboards here at all, surprisingly) and ferocious than the usual suspects, with heavy elements of mid 70s Crimson and even some classic Mahavishnu stylings on display. The guitar absolutely rips through the solos (especially on side 2) and the drumming is flat-out world class, in the Billy Cobham/Furio Chirico mold. Vocals are surprisingly smooth and melodic for an underground US act, giving it an almost British touch at times. Just jaw-dropping stuff, really. It's nothing short of a tragedy that they never recorded a full studio album, but as I mentioned above, there is some good news to report. Guitarist/band leader Peter McKibben (who is still musically active) has been contacted and had this to say:
"PBX was a crazy band, trying to make a mark in the Bay Area (SF) music scene when punk and New Wave were starting to become popular. Probably wasn't the right time for a progressive jazz/rock outfit to try to get noticed, but we were having fun, so we didn't care. We actually played on some punk/wave shows, opening up for Pearl Harbor and the Explosions and the Dead Kennedy's (they hated us). I just found an old cassette from 1978 of PBX playing outdoors in Sproul Plaza at UC Berkeley. On the other side of this cassette, is a live recording of PBX playing at a weird dive called the "I Café"...I believe Pearl Harbor played after us on that occasion. Anyway, a longtime friend of the band knows an engineer who's been converting cassette recordings to cd. I don't know what kind of condition the tape is in, but he's going to try and make the transfer."5/17/15 (first listen / review); 6/6/21 (update / new entry)