The A) side mixes funk and horn rock seamlessly. Features a great hard driving bass heavy rhythm. Picks right back up on the b) with a stronger Hammond organ presence and a great ripping guitar solo. Excellent two sider. Label is from Kentucky so it's a guess that's where they're from.
Thursday, January 27, 2022
B.W. Cat - You Can Make It Anyway / Cry. 1974 USA-Kentucky
The A) side mixes funk and horn rock seamlessly. Features a great hard driving bass heavy rhythm. Picks right back up on the b) with a stronger Hammond organ presence and a great ripping guitar solo. Excellent two sider. Label is from Kentucky so it's a guess that's where they're from.
Duc - Hopeless Battle / Caught in a Rush. 197? USA
Great find here. I'm a sucker for rhythm guitar to begin with, and this gets the song started right away, including a driving bass and drums. Excellent singer. There's a killer mid song hard rock riff that's downright proggy, followed by one of the two cool guitar solos. The B) side might be even better. Love the rhythm guitar, has a sweet yacht rock thing going while the guitar rips along in his own world, especially the psyched out solo. Top notch group here - Duc should have been signed up.
Saturday, December 11, 2021
Frank and Company – Show Me The Way / Can I Take You Home. USA
The A) side has a wonderful funk beat with fuzz guitar and organ on top. Excellent track. The B) side is a slow dance soul number with organ in the backdrop that surprisingly breaks into a power ballad, with a cool fuzz solo. Nice two sider.
Ownership: SP: 19?? A.D.Y. Online acquisition (2021)
Quimm - Indian Woman / Rock God. 1972 USA-Ohio
From Marietta. A) side is a soft MOR-ish ballad. The B) side opens with ominous organ and lightly strummed electric guitar. And then it breaks into a Uriah Heep like heavy rocker with organ, riffing guitar chords, and David Byron like vocals. A killer little track. This is the side that makes it a keeper.
Ownership: SP: 1972 Revelation. Online purchase (2021).
Crossfire - King Will Come / Truth. 1978 USA-Virginia
The A) side is a mix of hard rock and prog, with excellent guitar and organ. Great guitar solo as well. The flip starts off with a cool groove and breaks from there into an organ prog styled riff, followed by an excellent Allman Brothers like jazzy psych guitar. And it just continues on with an excellent organ solo to boot. One of our best discoveries of the year!
Faustus - Come on Down / Days of Swashbuckling. 1978 USA-Illinois
This is one of those bands that have a better moniker and titles than the actual music. The A) side is a mix of boogie rock and melodic AOR. The latter saving the effort. The B) side is much better with a mix of earnest hard rock and prog rock ambition. There's some faint mellotron as a backdrop. For whatever reason, I'm most reminded of Ethos here. Not a life changer, but worth tracking down.
Ownership: SP: 1978 Golden Eagle. Online acquisition (2021)
Looks like we ended up with the exact same copy as the original poster once had on Discogs! Ours has the signatures in the same place. It's too exact to be a coincidence.
5/3/21 (first listen); 12/11/21 (review / new entry)
Strongbow - If You're Goin to the City / Change. 1973 USA-Columbus
This is the same Strongbow who released a well respected album a couple of years later. This single predicts their future sound, as it's similar in construct. Neither tune is on the album proper. The A) side is good times rock n' roll, not so interesting of a tune, but features absolute bitchin' Hammond organ and electric guitar solos. Mariano Rivera is in the house - and got a save! The B) is a much more interesting tune based on an organ dirge, that also has some splendid guitar soloing. This is a good two sider worth seeking out.
Ownership: SP: 1973 Epodus. Online acquisition (2021)
Saturday, September 18, 2021
Nancy Priddy - You've Come this Way Before / Ebony Glass. 1968 USA
Nancy Priddy is a new name for me, but I was very much captivated by this 45. When you see something like this pop up in front of you at the store, one immediately thinks of country, or one of those 60s female pop acts (Brenda Lee, Connie Francis, Connie Stevens, etc...). If you're lucky it might be soul related. As it turns out, the music's foundation is psychedelic, but with a soul backdrop. It takes the best of both: The break beats of soul and funk combined with some of the most trippy vocals this side of Brainticket. Not suggesting they are as lysergic laced, but it has this disorienting quality that I find highly appealing. I've never heard anything quite like this, and I certainly want to hear more. The good news is Priddy did manage to release a full album, and these two tracks are the opener. Well, look at that, it appears to have been reissued on CD (OOP) and LP (in print). Originals are expensive. Maybe I'll find it in the wilds, but I think I'll grab that LP reissue in the meantime (new copies going for cheap on Amazon). Regardless, this 45 is going nowhere. Oh, in other news, Nancy Priddy is the mother of Christine Applegate. Neat.
Ownership: SP: 1968 Dot. White label promo which apparently is more common than the commercial version. In either case, it's quite the expensive rarity. Another RT collection surprise, and this one was fortunately wrapped in plastic and in perfect condition.
9/18/21
The Steve Karmen Big Band featuring Jimmy Radcliffe - Breakaway Parts 1 & 2. 1968 USA
Don't be fooled by the group name, you won't be thinking 1940s bandstand here. This is primarily jazzy psychedelic with an absolutely killer beat, and what sounds like an electric sitar in the background. Radcliffe more or less "raps" on top when he's not crooning. The second side essentially removes Radcliffe so you can just hear the band jam.
Ownership: SP: 1968 United Artists promo. This came from the RT collection (2021).
9/18/21
Sunday, June 6, 2021
Shira - Liar / Frank's Ant Farm. 1973 USA-Philadelphia
Shira are a somewhat unknown group out of Philadelphia who released two promo 45s and then disappeared. 'Liar' is a kick ass hard rock number with a little bit of a funk edge. 'Frank's Ant Farm' is a dual guitar proggy hard rock instrumental that oddly reminds me of Automatic Fine Tuning. Excellent two sider.
PBX - Milktoast Repose / Gangplank. 1978 USA-San Francisco Bay Area
This is an old CDRWL discovery, and I recently picked up a copy for myself. My original scratch off notes stated simply: Fantastic progressive rock from the Bay Area (Los Gatos). Very complex similar to a Yes/Gentle Giant/King Crimson hybrid. The first group that leaped to my mind was Yezda Urfa!
Pretty hard to argue with that really. And at 10 minutes and change, you get your money's worth for a 45. I can say at this point, this is the best progressive rock 45 in my collection. It was The AC who discovered it (as was often the case), and his full notes are far more comprehensive. He wrote: "Bay Area (Los Gatos) prog band who's only release was sadly this obscure EP. Usually, I wouldn't submit an EP quite this short (around 11 minutes total) for inclusion here, as it would be tough to reissue without additional archival material, but in this case we already know that such material does indeed exist. And what wonderful news that is, as I can say without risking hyperbole that this release is amongst the strongest ever recorded by a progressive rock band in the United States. The usual ultra-complex Yes/Gentle Giant-isms of the US underground prog scene are here in full force, but the real difference is that this is more guitar-driven (no keyboards here at all, surprisingly) and ferocious than the usual suspects, with heavy elements of mid 70s Crimson and even some classic Mahavishnu stylings on display. The guitar absolutely rips through the solos (especially on side 2) and the drumming is flat-out world class, in the Billy Cobham/Furio Chirico mold. Vocals are surprisingly smooth and melodic for an underground US act, giving it an almost British touch at times. Just jaw-dropping stuff, really. It's nothing short of a tragedy that they never recorded a full studio album, but as I mentioned above, there is some good news to report. Guitarist/band leader Peter McKibben (who is still musically active) has been contacted and had this to say:
"PBX was a crazy band, trying to make a mark in the Bay Area (SF) music scene when punk and New Wave were starting to become popular. Probably wasn't the right time for a progressive jazz/rock outfit to try to get noticed, but we were having fun, so we didn't care. We actually played on some punk/wave shows, opening up for Pearl Harbor and the Explosions and the Dead Kennedy's (they hated us). I just found an old cassette from 1978 of PBX playing outdoors in Sproul Plaza at UC Berkeley. On the other side of this cassette, is a live recording of PBX playing at a weird dive called the "I Café"...I believe Pearl Harbor played after us on that occasion. Anyway, a longtime friend of the band knows an engineer who's been converting cassette recordings to cd. I don't know what kind of condition the tape is in, but he's going to try and make the transfer."Well - that was 6 years ago, and obviously nothing's come of it yet. But who knows? Maybe this will serve as a reminder. For someone. Anyone....
Ownership: SP: 1978 Collage. With picture sleeve. Recent online acquisition (2021).
5/17/15 (first listen / review); 6/6/21 (update / new entry)
Roadwork - Come Into My Life / When it Comes to Lovin You. USA
OK, time to start digging into my new discoveries for 2021. And this one is a total unknown. The a) side is the winner here, with some flute, organ, and killer guitar solos. Kind of a mix of hard rock, funk, and prog. I'm not fond of the b) side. The style is escaping me, but it's completely different than the flip. It's crowd pleasing club music, with a saxophone lead horn section and a snappy styled pop jazz I guess. Like a proto Huey Lewis maybe? No bueno. But the a) side more than makes up for it. Thinking this is from the late 70s.
Ownership: SP: 19?? Patch. Online acquisition
White Magik - I Can't Come Back / After It's Over. 1971 USA
The a) side is a mellow drifting psychedelic number with fine Hammond organ, and a lightly amplified electric guitar. Melancholic and very good. The flip gives us some wah wah and more tempo. The vocals maintain their trippy breezy nature. Excellent organ solo that leads to a progressive rock break, followed by a guitar solo. Very good two sider throughout.
Bitter Root - Distant Song / Movin'. USA-Los Angeles
'Distant Song' starts of with a mean funky beat, which leads to some nice rhythm guitar, cool-dude vocals, tight horn charts, and screaming fuzz solos. This is my kind of horn rock! 'Movin' gets us going with a rockin' Steppenwolf rhythm guitar, followed by more horns and passionate vocals. And more screaming fuzz solos. Dig it. Great two sider.
Ownership: SP: 19?? Dor-Don. Online acquisition (2021)
Sunday, May 16, 2021
Sly Dog - Your Soul / Cryin' For Love. 1982 USA-Detroit
Sly Dog were a little known group from the Detroit area who released only this one 45. The a) side sits at the conjunction of hard rock, AOR, and progressive rock. There's some fine flute that gives credence to the latter style. Good guitars as well (both acoustic and electric). The b) side is pure AOR, not too far from Gerry Rafferty with the presence of saxophone. Certainly could have been a regular on FM radio, though 1982 is too late for this kind of commercial rock. This is the rock sound of 1976/1977. The a) side makes this one a keeper.
Ownership: SP: 1982 private. Online acquisition (2020). Comes in a fold over paper pic sleeve with recording details on the back.
Bluewater - Dial "O" For Love / Wounded Knee. USA-Georgia
An interesting 45, Bluewater taps into that unique American pop sound of the late 60s and early 70s. If pressed, I'd say 1969 or 1970. The a) side has a cool funky rhythm, but is clearly slanted towards AM radio, borderline bubblegum. 'Wounded Knee' features a tribal funky wah wah backdrop, a somewhat exploitive sound of perceived Native American music. One pictures a bunch of white teenagers with headbands and war paint singing around the campfire. And drinking Coca-Cola. Which might not be far from the truth. There's no marking on this 45 anywhere, except for a one Harley Hatcher. Hatcher was a mover and shaker in the music industry, having run a couple of labels (i.e. Curb Records), and also being the primary composer for some screenplays and soundtracks. Most famously for The Wild Sounds Of Satan's Sadists, lionized later by Quentin Tarantino. This is where the Georgia reference comes from, though it's likely he was entrenched in Los Angeles by this point. Who Bluewater was is anyone's guess though. A true unknown.
Ownership: SP: 19?? Double H (Harley Hatcher). Online acquisition (2020).
Robin Banks Band - Positive Side / Flyin' and Cookin'. 1978 USA-Denver
Certainly one of the top 5 of the SP's I picked up last year, Boulder's Robin Banks Band remains a complete mystery. As you can see, it was produced by Ed Cassidy, I presume of Spirit fame (confirmed it is him). The production is first class as well. The a) side is a bit quirky and funky, and oddly reminds me of Illinois' Peter Berkow. But it's the b) that just slays. Featuring a wonderful bass line, strumming acoustic guitar, and soaring flute, it's a progressive rock wonder. And when the searing electric guitar hits, you'll be wanting this to be part of The Unknown Progressive Rock 45s Vol. 1 compilation. How this remains unknown is beyond my comprehension.
Ownership: SP: 1978 private. Online acquisition (2020). Picture sleeve with no info other than the date. Has a regular spindle hole but it's still a 45.
Zed Pawl - Back Seat Boogie / From This Side. 1981 USA-Columbus
Zed Pawl were a hard rock band from Marion, Ohio (north of Columbus) and were somewhat typical of the underground at that time. The title of a) doesn't inspire much confidence that this will be anything special, but it's actually the highlight. Excellent hard rock, with a rough guitar sound, and piercing vocals. There's also a couple of odd progressions that recall Rush's Permanent Waves. The flip side borrows from another major act of the era, that of The Who. It's good, but doesn't live up to the promise of 'Back Seat Boogie'.
Ownership: SP: 1981 Blue Ash. Online acquisition (2020). Both sides say Side A, though the catalog number clearly distinguishes which is which.
Red Machine (Willie and the Red Machine) / Wayne Van Dam - I Wrote This Song For You / More Than You'll Ever Know. 1975 USA-Michigan
From Kalamazoo, Michigan. Red Machine (see Ownership notes below) is a super two sider. 'I Wrote This Song For You' is gorgeous - a sweet, soft, and sensual psychedelic ballad with fine lightly amplified guitar. I think they feature female vocals, but who is Willie? Could be a male soul singer. Beautiful in any case. The flip side is completely different. Starting with ripping fuzz, the track never lets up. Great example of hard psych.
Ownership: SP: 1975 Red Machine. Online acquisition (2020).
The Dags - Watching the Clouds Roll By / She Cried. 196? USA-Chicago
This 45 is another complete unknown. It is presumed that this is the same band that also went by The Daggs (same label), and is sought after due to being anthologized many years ago. This is a fine psychedelic 45. The a) side is a trippy folk psych number, as the title suggests. Not as dreamy as The Manchester Bridge Band, but very pleasant all the same. The b) side is a cover of the old chestnut most associated with Jay and The Americans and The Lettermen. There's some mid-60s Beatles in their sound as well. The a) side is a slow grower, and makes it a keeper. I'd guess 1966 or 67 as a date.