Ground Attack - Red Lion / Every Mother's Son. 1981 England

Though associated with the NWOBHM movement. Ground Attack sound more like a standard issue early 80s hard rock band. Not very heavy or original, the two tunes here blow by without much notice. A little AC/DC can be heard on the B side. 

11/25/24

Lynx – Just A Friend / Woman Of My Dreams. 1970 USA-Texas

Just the fact that these guys are from Andrews, Texas is already a revelation for this Texas Tech graduate. How a hard rock band like this existed in the oil fields and ranches of 1970 is something amazing in of itself. Solid hard rock from the Grand Funk / Rare Earth school. This was their debut, but they managed to get out six 45s, which is incredible. They even covered early Yes on one of those. I'd keep that one if I ever find it...

7/21/20 (first listen); 9/15/24 (review / new entry)

The Pawnbrokers - Realize / Smell of Incense. 1968 USA-North Dakota

From Fargo, North Dakota, The Pawnbrokers certainly were turned onto the most psychedelic aspects of the movement. I have the A) on a comp and it's a fuzz blaster, perfect for that sort of thing. B) is new to me, and is a trippy psych number leading into some progressive Eastern ideas. This one hasn't been comped that I know of. What a great two sider.

9/10/24

Acoma - My Store / My Long Lost Friend. 1971 USA

The A) side is very interesting. Psychedelic soul with a really mellow groove. Sort of like a laid back Gil Scott-Heron. The B side is not to my taste, perhaps a bit of country even. The label is from Nashville but no idea where Acoma might be from. Interesting that it alleges the music comes from the album This Land is Our Land, but it does not appear this album exists. 

From a thrift shop in Bozeman, Montana (cleaner than the Discogs copy). I almost kept it for the A-side, but I think I'll take the profit this time. 

8/15/24

3.5/2.0

Those Two - Baby I Know / I'm Gonna Walk With You. 1966 USA

Garage folk with typical influences of the day like The Beatles, Byrds, Mamas and Papas, etc... Dual female, male vocals. Not sure where they're from.

Found in Bozeman, Montana. The Discogs photo is my copy. Will sell it eventually.

8/15/24

3/3

Charlie Burton and Rock Therapy - Rock and Roll Behavior / That Boy and My Girl. 1977 USA-Nebraska

When I found this I thought it would be big money. It looks like some underground punk 45 - and from 1977! Nope. The A) side is retro 50's rock but with a 70s hard rock guitar solo, which is the highlight of both sides. B) side is more towards blues rock. From Lincoln, Nebraska. I'm keeping it for now. 

Own. From a thrift store in Sheridan, Wyoming (2024).

3.5/2.5

8/15/24

Black Ice - Gotta Get You Out Of My Mind / Come on Home. 1970 South Africa

Yet another South African obscurity from 1970. The a) side is pop psych with horns, whereas the b) side features more organ and is the better of the two tracks. Good melodies and very much of the era. Apparently Black Ice had at least one major hit back home ('Susannah'), but this debut recording remains unknown.

Own. Found at a local estate sale (2024). The Discogs image is my copy.

8/4/24

Larry John Page & The Vision - Shadow of Love / You Baby You. 1971 South Africa

Almost identical to the The Gentle People 45, wherein the A side is fairly commercial harmony pop and the B side has psychedelic characteristics including fuzz. I preferred this one just a bit more.

Own. Found at a local estate sale (2024). The Discogs image is our copy.

8/4/24

3.5

Spaceark - Don't Stop (vocal & instrumental). 1976 USA-Los Angeles

From Los Angeles, Spaceark is a super example of funk and early disco with fine horns, sax, and organ. Strong jazz undertone. It's the same track on each side, with one featuring female vocals that makes the song that much better. This has some of the smoothest grooves you can hear. Excellent. This is the original black label. There's another pressing of these two tracks, on the same imprint, with a blue label under the name of Dolly Way & Space Ship Earth.

Own. Found at a local estate sale (2024).

8/4/24

The Gentle People - Nothing's Impossible / Merlie. 1970 Zambia

The Gentle People were formed in Zambia and have at least one LP and five singles. This one doesn't seem to be too well known. The A side is mostly just pop fluff, not bad though. It's the B side that is intriguing. Has a nice chorus, fuzz, and some off-kilter keyboards.

Own. Found at a local estate sale (2024)

8/4/24

Objectivo - Glory / Keep Your Love Alive. 1970 Portugal

Obscure band who released three singles and an EP from 1969 to 1972 at a time when not much music like this was being produced in dictator controlled Portugal. These two tracks lack identity and mostly play to 1970 era UK and American commercial rock trends with slight nods to psych and even early prog. Side 1 has a Procol Harum vibe that makes it interesting enough to hold onto.

Own. From a local estate sale (2024)

8/4/24

Buzzard - Blurry Visions / Please. 1971 South Africa

Of the four South African 45's I found at an estate sale, this was the clear winner. In the parlance of the hipster: It's a banger. Not only are both sides catchy, but they have some mean fuzz instrumentation, especially the mid guitar solo on 'Blurry Visions'. The music is very much in the same league as the UK psych prog scene of 1969 to 1971. The Pussy Plays album came to mind here a couple of times. This is a heavyweight. 

Ownership: SP: 1971 RPM. Found at an estate sale (2024). The others will be featured in the next Psychedelic Journal edition.

8/4/24 (first listen / review / new entry)

Rock Bottom - I Wanna Live In The Country / I Don't Understand. 1973 USA

Despite the cool moniker and label name, this is mostly breezy rural rock with some folky touches. No idea where they might be from. Yet another mostly unknown 45. 

2.5 / 2.5

8/2/24

R.E.M.! - I Don't Know / Linda. 1974 USA

Another complete unknown and no idea where it's from. I bet the band didn't realize they owned one of the most popular monikers of the 80s! The exclamation mark distinguishes it a little bit. In this case, it's an acronym for the band members Roberts, Eaton, and McCurdy. The music has an odd piano, synthesizer thing going on. It's mostly pop rock. The A side recalls Gary Wright somewhat. B) side is a silly pop ditty with some decent guitar though. Strange 45. I'd for sure keep it if I found it, but I wouldn't pay more than a buck for it.

I didn't capture the image of the label and now I can't find it. Not even in Discogs. On Dreamer Records.

2.5 / 2.5

8/2/24 

Grey Controversy - Now is the Time / Blues in G. 1969 USA-Connecticut

From New London. A side is a slow rock harmonic tune driven by organ and bass. Somewhat like Procol Harum. At 5:40, a long track for the singles market. And they stretched it well past its shelf life. B side is organ / guitar based 12 bar blues. Largely unknown. Not in RYM, so I'll rate this 2.5 stars here.

2.5 / 2.5

8/2/24

Lance-Horizon - Rage / I Don't Like It. 1979 USA-North Carolina

From Chapel Hill. This 45 was released initially with the artist name as Lance, and later copies appended Horizon. A) side has a hard edged AOR bent to it. Love the guitar tone here. One can hear the Hendrix ghost of 'All Around the Watchtower' for sure, not a common sound for 1979. Though I suppose Frank Marino can be spotted here too. B) side is more radio friendly, though the guitar soloing is still excellent. Vocals kinda blow in that indie rock monotone way. 

4.0 / 3.0

8/2/24

Poor Richard - Good Time Music / Eyes. 197? USA-Los Angeles

From Los Angeles. Starts off as you might expect in a boogie rock state, with some fine organ. The B) side is more introspective, still in pop rock mode with dominant vocals, piano, and organ. Doesn't appear to be related to any of the other Poor Richard's out there. 

2.5 / 2.5

8/2/24

American Soul Train - Can You Dig It / Tennessee Waltz. 1968 USA-Louisiana

A) side is horn driven funky soul with period lyrics. B) side is a slow dancer with gospel like crooning. Picks up nicely at the end with a faster beat and horns. Apparently the band name is a nom de plume for The Boogie Kings.

Used to own. Found at a local estate sale.

7/14/24

The Rubber Band - Bubble Tree / Agnes Ries. 1967 USA-California

I'll get to the group's details below. For the music, this is the kind of garage folks are turning every stone over for. Side A has a dreamy melodic structure. The B side has a folky underpinning, with a punk attitude, and an excellent guitar solo. 

We do know from a YouTube comment from the band member's sister some details: It was recorded in Los Angeles in 1967. The group were from Bishop, California, which is way out in the eastern part of the state near Nevada.

Ownership: SP: 1967 Harlow. Obtained from a local shop for a $1 weeee (2024). 

We'll start with the rarity - it has never sold on Discogs, and the one and only copy that sold on ebay was 11 years ago for $350. You can only guess what it would go for now in a Carolina Soul auction. According to Discogs, the label has 6 releases (probably more) every one of them obscure.

Now we'll talk about the mistakes. The label shows The Bubber Bands on one side and The Rubber Bands on the other. My copy - and the submitter to Discogs copy (shown here) - has the final "S" rubbed out on each side. Above sister stated they were called The Rubber Band. What a mess.

7/14/24 (first listen / review / new entry)

The Rondeus - Anymore / Day Tripper - 1966 USA-West Virginia

The Rondeaus (misspelled on the label) were from the coal mining region around Beckley, West Virginia. 'Anymore' starts off like The Beatles' 'Day Tripper' (hold that thought) before launching into a more original tune. Of course it's very much influenced by the Fab Four in addition to The Rolling Stones at this stage. Features a nice jangly guitar solo. The B side is, in fact, the Beatles song. A very lethargic rendition I might add. Also features a cool lightly amplified solo. This is low budget garage at its finest.

Ownership: SP: 1966 Magna. Dollar find at a local estate sale (2024).

Some parallels here with the The Rubber Band I just featured. Like with that 45, they misspelled the group name. And it's rare as heck. Never sold on Discogs and the last ebay sale was back in 2013 (like The Rubber Band) for $280. It'll be more now :-)

7/14/24 (first listen / review / new entry)

Shelton Kilby and Counterpoint - Fire and Rain / Colour of a Man. 197? USA

Early 70s styled hippy harmony kind of pop. Think the classic Coca Cola ad. Everything else Kilby has released goes for coin, but this one stays stubbornly cheap. Haven't heard the others, maybe they're way better musically. I doubt it, this one just got lost in the shuffle. Besides it's a nice piece of music even if it isn't really in vogue.

Own. Found at a local antique mall

7/13/24

3.5

Carol Sloane - Music / Stay. 1965 USA

Not the type of 45 you'd think was in demand, but it is. File Sloane with other breathy females of the era like Julie London and Helen Merrill. Noted on Discogs as Soul, but it belongs to Vocal Jazz for sure. I'm not telling... Well apparently this is what they mean by "popcorn". Who knew?

Used to own. Found at a thrift shop in Woodland Park.

7/13/24

Caretaker - Rampage / Sin Trips. 1981 USA-Illinois

From Zion, Illinois (on the shores of Lake Michigan bordering Wisconsin). Pretty cool phased riffing opener. Goes into a more straightforward early metal styled track. Still like the phasing throughout. Four minute song that is two minutes longer than it needs to be. B) side catches Judas Priest in their British Steel stride. Nice guitar soloing on this one, and I like the hyperactive drumming as if there's no tomorrow (there probably wasn't). Pretty good rendition of the style I'd submit. 

4/15/24

3.0 / 3.5

Flyte - Movin' Faster / Don't You. 1983 USA-Michigan

From the Christian southern Michigan town of Hillsdale. This isn't that haha. Starts off in cock rock mode with light metal riffing and doesn't really develop. B) Tells us they "like to rock". No way, really? Boogie metal I guess. This song is really dumb. 

4/15/24

2.0 / 1.5

Estelle Levitt – All I Dream / I Like the Way it Feels. 1968 USA

One of those accidental singles that catches the ear of the psych funk crowd. There's a mild groove to this, but the strings and pop crooning give it away that Levitt is seeking fame and fortune. I like her voice, airy and sweet. RYM has it as psychedelic folk, sure I'll bite. But it's not any of the above really. The way the compositions develop, I'd bet they came from the Brill Building factory.

4/3/24

Round Trip Ticket – Super-Fli / Captain Purple Rides Again. 197? USA

No time, no place. Pure 70s fonky complete with deep narration in the Isaac Hayes tradition. "Can you dig it?" Almost exploitive really. B) side is far more interesting, with fine wah-wah and cranky organ. This one has a much better groove to it and is instrumental with wordless vocals. Seems to be the perfect funky rhythm track to any number of soundtracks of the early 70s.

4/3/24

Fried Chicken – Funky D.J. / Juke Box. 1976 USA-Louisiana

From Baton Rouge. A) is slow groove funk at its most pure and simple. Nice clavinet with declarative harmony vocals. B) adds horns while maintaining the funk. You can guess how this sounds without hearing a note.

4/3/24

Sterling Cooke – Don't Need You Anymore / Tomorrow Never Knows. 1982 USA-Pennsylvania

From northeastern Pennsylvania. File Sterling Koch (real name) next to Uli Jon Roth as guys who had no intention of letting Hendrix's legacy become forgotten. A) side sounds like the first Electric Sun album, which gets you a gold star in my book. B) side obliterates the Beatles tune with more of that Hendrix goodness. Completely out of time coming around in the early 80s like this. Great two sider.

This would be the debut recording for Koch, and it looks like he went on to form The Sterling Cooke Force and released two albums* and one more single. He then recording under just the name Sterling Cooke and released two cassettes. Guessing they're shred, based on this 2009 RYM review comment from the same single above: "A few years later, Sterling would be aping Joe Satriani while playing in a hair-metal band with people half his age. Now he plays born-again blues on a lap steel, according to his MySpace page."

*- I since purchased both - the first is fantastic like this single, the second is hair metal and not so good.

4/1/24

Rapunzel - Mornin' Sunrise / The Riddler/Changes. 1973 USA-Massachusetts

From a commune in western Massachusetts. A solid hard rock riff opens A), nice organ and a good mid song solo. Pretty rockin' stuff here, in the early Grand Funk Railroad tradition. B) side picks up perfectly with a faster riff, and some 60's Batman-era Riddler vocal hysteria. This jams hard - more mid to late 70s sounding. Excellent two sider.

Lots of strangeness as for the release itself. There are four pressings (maybe more) - three on the Corn label, one on Nork. The three on Corn each have a different catalog number and one is from the UK. More data here about the artist and label. 

4.0 / 4.0

3/31/24

Wayne Hurst – Galaxies Of Love / Back Again. 1974 USA-North Carolina

From the Chapel Hill area. A delicious sounding hard guitar riff opens the A) side. Nice mid song break with a good solo. Only drawback is it fades out too soon! B) side recalls Lynyrd Skynyrd in song format. 'Sweet Home Alabama' comes to mind here. Southern rock at its most basic but with a nice solo. 'Galaxies of Love' sounds a few years ahead of its time, and 'Back Again' a few years before haha.

3/31/24

Iron Tongue - (Ride on Down to the) San Antonio Line / It Could Have Been a Real Love. 1976 USA-Chicago

Cool name for a band. Looks like a modern heavy group from Arkansas nabbed it as well. Guessing these guys are from the Chicago area because of the label base. Guitar tone is almost psych, but ultimately this is bar room dancin' hard rock n' roll music. Fist pump your Old Style bottle while trying to two step at the same time. B side is remarkably similar, though bordering novelty territory.

2.5 / 2.5

3/31/24

The Rodeo – Millie The Pro / Felicia-Jo. 197? Louisiana

From Baton Rouge, Louisiana. Likely from 1971 or 72. A side has a blues rock sound that recalls Creedence Clearwater Revival. B) is much better only due to the presence of fuzz guitar. Still sounds like Fogerty singing though. 

2/28/24

Badapple - Campfire Tire / Raving Beauty. 197? Louisiana

Apparently from Louisiana though distributed out of Nashville. A) side is standard rural pop, not to my taste. B) is much more interesting. Strong lead guitar melodies and solos with some studio effects applied to the vocals. Cool track and out of the norm. 

2/28/24

The Challengers - Moon, Send My Baby / Dream. 1971 USA-North Carolina

From eastern North Carolina. What a strange opening to a 45. Vocalist croons "Let's go to the moon" followed by a bluesy guitar solo. Eventually it rips into a fast soul like dancer. It's kind of a mess, but intriguing all the same. B) side sounds like a rip of The Everly Brothers. Dream, dream, dream. 

2/23/24

Rhonghei - Long Time Gone / Assassination. 1970 USA-California

Another southern Californian group (Rosamund). Fits loosely in the psych funk soul camp. B) side features some fine fuzz. A) has a deep groove with bluesy guitar. Not bad all. 

3.5 / 3.5

2/23/24

Golgatha - Dies Irae / Children's Game. 1972 Germany

An anomaly for the great experimental Krautrock Ohr label, as Golgatha are primarily a hard rock group, similar to how fellow labelmates Pilz got its start. 'Dies Irae' uses the familiar monkish chant combined with narration and horns. B) is more committed to the horn rock genre, recalling countrymen Round House, Emergency, and For Example. Nice Terry Kath styled guitar as well. A very good representation of the style.

2/14/24

The Nurks - Another Rainbow / When You Can. 1968 USA-South Carolina

From Anderson, South Carolina (I was just there last year in fact). Opens with a haunting organ until we get into the familiar garage beat. Nice melodic vocals. This track has been anthologized. B) side adds in a bit of sax. The Nurks have a nice touch of harmony. Not bad at all.

2/13/24

3.5 / 3.0 

The Movement – Combination of the Two / Riding on a Sunday. 1969 USA-Buffalo

Custom pressing from Buffalo, New York.  Psych collector's dream opening with wild fuzz soloing. Roughhewn vocals follow, while the rhythm guitar rips away. Nice heavy solo towards the end. Hyperactive drumming too. B) gets right to business with a Steppenwolf styled hard rocker. Both sides exist on compilations.

7/15/20 (first listen); 2/13/24 (review / new entry)

Accents - Friendly Stranger / People are Funny. 1969 USA-Rhode Island

From Providence, Rhode Island. A) side kicks out the jams with some fine rhythm guitar and muted fuzz. B) side has more of a pop psych slant, but isn't unpleasant. Accents also featured a Hammond, which is a nice change of pace. 

2/13/24

The Chylds - No More Tears / Grey Days. 1968 USA-Ohio

From Canton, Ohio. Above average soulful hard rocking psych. What separates this from the normal 60s psych 45 is the use of Hammond organ. Much more common to hear a Vox or Lowery or any other cheaper variety. B) side offers a slight tilt eastward adding a bit of exoticism. A very good two sider and surprisingly not comped.

12/24/20 (first listen); 2/13/24 (review / new entry)

Sangre Mexicana - Good Cause / Need a Mama. 1970 USA-Texas

Interesting one here. From Laredo, Texas, Mexican Blood released seven singles and three LPs throughout the 70s. Their primary stock in trade was Tejano, ranchera, cumbia, balada, that kind of thing. This appears to be their debut recording and is nothing of the sort. Hard psych fuzz blaster, completely the opposite of how they made a living apparently. Both tracks are great (4.0). A side was comped by Germany's World in Sound many years ago. I wonder what the story behind this 45 was.

2/13/24

Idlewilde South - Feel It / Pedro's Bar & Grill. 1980 USA-South Carolina

From the hinterlands of South Carolina. A) side is FM friendly bar n' roll. B) side features an opening cool hard rock riff that reminds me of Blackfoot when they catch a groove. Actually the whole song reminds me of Blackfoot.

1/23/24

Doug Mays & The Sticky Kids - Raining in My Heart / Part Time Lover. 1981 USA-Mississippi

From Biloxi. About as bad as you would expect. A) side is straight up early 80s dummy hard rock. B) side is worse with a bluesy angle that makes you want to forget the decade altogether. 

2.5 / 2.0

1/23/24

Wilderness II - Strange Kind of Woman / In Medley. 1972 USA-Oklahoma

From Tulsa. Both tracks are badly produced Deep Purple covers. B) side is 'Lazy' with some extending jamming. 

2.5 / 2.5

1/23/24

The Innkeepers II - Brother Love's Traveling Salvation Show / Cryin's Not My Style. USA-Pennsyvlania

Complete unknown here. If I owned this it would go straight into my Unknown Vinyl Records blog. Label is from northeast Pennsylvania. A) side is a cover of Neil Diamond. Though advertised as psych, this is gather 'round the campfire singalong-and-clap music. Other side isn't that much better, but has a better chord progression and no handclaps. 

I didn't get the label image and it isn't showing anywhere at the moment, including popsike.

2 / 2

1/23/24

The Cardboard Box - Come on Baby / Carol. 1969 USA-Pennsylvania

From Pottstown. A side starts off with a bit of distortion and moves into uptempo garage territory, with an almost funky beat. Good fuzz solo near the two minute mark. 'Carol' is a sleepy ballad. A side has been comped, so it's become sought after. 

1/23/24

August - All the Time in the World / Old Lady. USA-Boston

Pop / Bubblegum psych with light hard rock touches. Has some decent distorted soloing. Mostly unknown. Label is from Boston, so likely a New England based group. 

1/23/24