Shira are a somewhat unknown group out of Philadelphia who released two promo 45s and then disappeared. 'Liar' is a kick ass hard rock number with a little bit of a funk edge. 'Frank's Ant Farm' is a dual guitar proggy hard rock instrumental that oddly reminds me of Automatic Fine Tuning. Excellent two sider.
Sunday, June 6, 2021
Shira - Liar / Frank's Ant Farm. 1973 USA-Philadelphia
Shira are a somewhat unknown group out of Philadelphia who released two promo 45s and then disappeared. 'Liar' is a kick ass hard rock number with a little bit of a funk edge. 'Frank's Ant Farm' is a dual guitar proggy hard rock instrumental that oddly reminds me of Automatic Fine Tuning. Excellent two sider.
PBX - Milktoast Repose / Gangplank. 1978 USA-San Francisco Bay Area
This is an old CDRWL discovery, and I recently picked up a copy for myself. My original scratch off notes stated simply: Fantastic progressive rock from the Bay Area (Los Gatos). Very complex similar to a Yes/Gentle Giant/King Crimson hybrid. The first group that leaped to my mind was Yezda Urfa!
Pretty hard to argue with that really. And at 10 minutes and change, you get your money's worth for a 45. I can say at this point, this is the best progressive rock 45 in my collection. It was The AC who discovered it (as was often the case), and his full notes are far more comprehensive. He wrote: "Bay Area (Los Gatos) prog band who's only release was sadly this obscure EP. Usually, I wouldn't submit an EP quite this short (around 11 minutes total) for inclusion here, as it would be tough to reissue without additional archival material, but in this case we already know that such material does indeed exist. And what wonderful news that is, as I can say without risking hyperbole that this release is amongst the strongest ever recorded by a progressive rock band in the United States. The usual ultra-complex Yes/Gentle Giant-isms of the US underground prog scene are here in full force, but the real difference is that this is more guitar-driven (no keyboards here at all, surprisingly) and ferocious than the usual suspects, with heavy elements of mid 70s Crimson and even some classic Mahavishnu stylings on display. The guitar absolutely rips through the solos (especially on side 2) and the drumming is flat-out world class, in the Billy Cobham/Furio Chirico mold. Vocals are surprisingly smooth and melodic for an underground US act, giving it an almost British touch at times. Just jaw-dropping stuff, really. It's nothing short of a tragedy that they never recorded a full studio album, but as I mentioned above, there is some good news to report. Guitarist/band leader Peter McKibben (who is still musically active) has been contacted and had this to say:
"PBX was a crazy band, trying to make a mark in the Bay Area (SF) music scene when punk and New Wave were starting to become popular. Probably wasn't the right time for a progressive jazz/rock outfit to try to get noticed, but we were having fun, so we didn't care. We actually played on some punk/wave shows, opening up for Pearl Harbor and the Explosions and the Dead Kennedy's (they hated us). I just found an old cassette from 1978 of PBX playing outdoors in Sproul Plaza at UC Berkeley. On the other side of this cassette, is a live recording of PBX playing at a weird dive called the "I Café"...I believe Pearl Harbor played after us on that occasion. Anyway, a longtime friend of the band knows an engineer who's been converting cassette recordings to cd. I don't know what kind of condition the tape is in, but he's going to try and make the transfer."Well - that was 6 years ago, and obviously nothing's come of it yet. But who knows? Maybe this will serve as a reminder. For someone. Anyone....
Ownership: SP: 1978 Collage. With picture sleeve. Recent online acquisition (2021).
5/17/15 (first listen / review); 6/6/21 (update / new entry)
Roadwork - Come Into My Life / When it Comes to Lovin You. USA
OK, time to start digging into my new discoveries for 2021. And this one is a total unknown. The a) side is the winner here, with some flute, organ, and killer guitar solos. Kind of a mix of hard rock, funk, and prog. I'm not fond of the b) side. The style is escaping me, but it's completely different than the flip. It's crowd pleasing club music, with a saxophone lead horn section and a snappy styled pop jazz I guess. Like a proto Huey Lewis maybe? No bueno. But the a) side more than makes up for it. Thinking this is from the late 70s.
Ownership: SP: 19?? Patch. Online acquisition
White Magik - I Can't Come Back / After It's Over. 1971 USA
The a) side is a mellow drifting psychedelic number with fine Hammond organ, and a lightly amplified electric guitar. Melancholic and very good. The flip gives us some wah wah and more tempo. The vocals maintain their trippy breezy nature. Excellent organ solo that leads to a progressive rock break, followed by a guitar solo. Very good two sider throughout.
Bitter Root - Distant Song / Movin'. USA-Los Angeles
'Distant Song' starts of with a mean funky beat, which leads to some nice rhythm guitar, cool-dude vocals, tight horn charts, and screaming fuzz solos. This is my kind of horn rock! 'Movin' gets us going with a rockin' Steppenwolf rhythm guitar, followed by more horns and passionate vocals. And more screaming fuzz solos. Dig it. Great two sider.
Ownership: SP: 19?? Dor-Don. Online acquisition (2021)